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Showing posts from June, 2014

'THE STOLEN JOOLS': A TUBERCULAR PRODUCTION?

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Long thought to be lost (and in some quarters even thought to have never existed),  "The Stolen Jools"  was an all-star short comedy shot in 1931 by the National Vaudeville Artists (NVA) as part of their "relief work" for the American Tuberculosis Society. It stars...everybody, more or less, in a sincerely puzzling tale of Norma Shearer's jewels having been stolen and the quasi-investigation that follows--though that makes it sound like there is something resembling a plot line which I assure you there isn't. Really it is just an excuse to get all of the big Hollywood stars of the day on screen--sometimes for mere seconds--in blackout sketches designed to aid a good cause. The film was then shown in theaters across the country, accompanied by a live speaker from the NVA asking for donations to help cure tuberculosis. Since the film has nothing to do with anything medical, it's hard to compute quite how this convinced audience members--at the pit of the...

PUSSYCATS OF THE SUNSET STRIP: TUESDAY WELD

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For years,  Tuesday Weld  was a major pain in the ass pussycat of the Sunset Strip, pissing off directors, gossip columnists, movie executives, turning down Warren Beatty's offer to star in "Bonnie and Clyde", having nervous breakdowns, drinking heavily, and claiming that she finally felt free because her mother died--when her mother was, in fact, alive and making an iffy living as a baby sitter to newlyweds John Astin and Patty Duke. (Mom was understandably annoyed when she heard that her famous daughter had declared her dead. At least she could have stood her the cost of the burial). By then, though, nobody thought it odd that Tuesday Weld had made up such a thing. By the early seventies, nutty Tuesday was already an old story. Back in 1959, Danny Kaye, with whom she appeared in "The Five Pennies" said, "Tuesday Weld is fifteen going on twenty-seven". God knows what prompted this assertion but one can only imagine. This was after she had sh...

DUKE ELLINGTON MEETS CINERAMA?

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Below I've posted an extraordinary piece of filmmaking from 1935. It runs just under ten minutes but is well worth your time. "Symphony In Black" is a short film featuring Duke Ellington and his band, with guest appeareances by Billie Holiday and Scatman Crothers, believe it or not. (Holiday sounds like herself but is otherwise unrecognizable from her later self--here she's young, plump and healthy looking. Crothers, later to become famous for his recurring role on "Chico And The Man" is twenty-five years old here and quite the dude. He's not credited, but he plays Billie's two-timing boyfriend.) There is no dialogue--it is a purely visual representation of an early extended work by Ellington which is in five short parts. If you run out of patience (which I hope wont be the case) or have to abort due to a previously scheduled event, skip to the last two minutes, the section called "Harlem Rhythm." The specialty dancer in this sequ...

PUSSYCATS OF THE SUNSET STRIP: MEET JOI LANSING

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The other day, while watching Orson Welles astoundingly good "Fountain Of Youth" television pilot, I became fixated on the female lead, the mysterious Joi Lansing. Looking her up on the internet I found that I'd written about her when this blog first came into existence. So impressed was I with my own piece that I've decided to re-post it. Joi deserves no less. Supposedly, when Welles was interviewing actresses for the pilot, he came out into the reception room, got a look at Lansing and said to his assistant: "Where did she come from? Send the other girls away." But "The Fountain Of Youth" was, alas, her only truly notable credit. Indeed her filmography is distinguished by the sheer volume of undistinguished films she appeared in. Nonetheless, nobody who has seen Joi Lansing in any of the number of execrable movies she was consigned by fate to have appeared in can quite forget her. The va-voom factor, of course, is inescapable. But there wa...