CAFE SOCIETY PART THREE
Following the uncertain reception accorded to my first feature "Cafe Society", we returned to New York--somewhat dispirited but still essentially optimistic. After al, Roger Ebert had really liked the movie. Others had too. It was as if nobody wanted to be the first to come out and say that they loved it. I sensed (and believe I was correct in this) that the finishing of the film was partly to blame--it was still overlength and under-scored musically (by which I mean NOT scored--I tried to do with period records only which is a lovely conceit--Woody Allen does it all the time--but wasn't really right for this movie). At that time, Showtime had gotten into the "made of cable" movie business in earnest. One of the ways to do this with some efficiency was to not just make their own movies, but buy already finished movies that had trouble securing domestic distribution. The movies needed to have recognizable cast elements, elegant production values and some sort of ...