"ROB THE MOB" - OVERHEARD IN THE OFFICE:

By Raymond De Felitta -
 Subscribe in a reader

Actors in the casting room getting into it with the occasional shout finding its way out into the production office....

Isabel

Popular posts from this blog

'BE BIG'--A LAUREL AND HARDY MISSING SCENE

By Raymond De Felitta -
Image
Having very much enjoyed 'Stan and Ollie', the Laurel and Hardy biopic, I've been immersed for the past few days in gathering up the shards of unseen L&H material that for some reason I've missed over the years. Mostly this consists of their silent films, which I never had any real interest in--what are L&H without their voices? Well, I was wrong. The silents are delightful and I'm plowing through them at a rapid rate. Then there are the lousy Fox films of the early-mid forties of which I've only seen two--'Jitterbugs' and 'The Bullfighters' and which, honestly, I feel it might be better off to avoid. L&H without Hal Roach simply were not themselves--I have a feeling that Stan would have resented hearing that, but Roach provided them with the freedom to work at their best and most comfortable level (and beside, he had that Marvin Hatley music). Then there are the multi language shorts which are interesting to behold, in a limited ...
Read more

LUCY AND RICKY: THE NEW YORK YEARS

By Raymond De Felitta -
Image
Above is one of the strangest show-biz artifacts I've ever come across. Apparently there is a Lucy/Desi museum in Jamestown New York (birthplace of both Lucille Ball and Lucy Ricardo). Among the large collection of memorabilia is a full reconstruction of the set of the Ricardo's apartment. Above you'll see a short, shaky but quite delightful look at it. It's in color too, thus giving the much-viewed set a strikingly strange reality. The spinet piano is there, residing in the center of the room under the bay window, as is the fireplace, the couch, the kitchen--the whole sheer. I always loved the way the address of the building changed from episode to episode (though it was always on East 68th Street). I also dug how loopy the floorplan was. The Mertz's building was a brownstone which would have been no more than 20 feet wide, but somehow the three rooms are stretched out over a space that would have to be at least 40 feet wide, with the kitchen incongruously on a...
Read more

VETERANS DAY SPECIAL PT. 2: VISIT A PARK IN 1930

By Raymond De Felitta -
Image
Above is another one of those priceless documentary looks at New York life in the late 20s/early 30s courtesy of the Fox Movietone News camera, an early sound-on-film system that enabled recordings of everyday life and events without having to set up cumbersome equipment which in turn would usually freeze the on-camera participants--these glimpses feature entirely natural behavior of people who are only dimly aware at best that they're being filmed. Here we see a group of children, ages 5-7 roughly, playing in a park on West End Avenue and 106th Street in January of 1930. A teacher leads them in a couple of songs while their mothers sit by on the benches, wearing those funny 1920s Cloche women's hats that so symbolize 20s fashion that to wear one now would be a clear indication that you were on your way to a 1920s themed party. What has this to do with Veterans Day you may ask? As I estimated the children's ages as I did, that would mean they were born somewhere between...
Read more