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TAKEI MEET STERN, HOWARD MEET GEORGE

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My love for Howard Stern dates back to an afternoon in the early 80s, when I was driving upstate to my college and turned the radio dial accidentally to WNBC. I heard a man discussing the differences between Jewish men's penises and Chinese men's penises and, when the shock wore off, found myself parking on the shoulder of the highway as laughter overwhelmed me. There is no longer anything shocking about the subject matter and I can't remember exactly what was said that I found so exhilaratingly funny. It must of been the whooshing of a long-closed door being opened--the complete subjugation of normal entertainment to wildly inappropriate and heedless hilarity. (Or, as a billboard put it when Stern was first syndicated to Los Angeles, 'Four Hours Of Sixth Grade Every Morning!') Early Stern (or 'old-school Howard') remains, for me, the best Stern--anywhere from the NBC years through around 2000 (the departure of Jackie Martling being the significant facto...

WALDORF ASTORIA: FEBRUARY, 1934

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In February 1934, something called the 'Motion Picture Ball' was held at New York's then rather newish Waldorf Astoria Hotel and the Fox Movietone sound cameras were there to capture the event. I don't know what the hell the purpose of the ball was but it brought out a heavy duty crowd of 'swells' who, from appearances, seem wildly untouched by the great depression that was then raging just outside the doors. It feels rather like a scene you'd find in 'My Man Godfrey'--fat balding men in evening clothes, fat stuffy wives on their arms. The announcer appears to be the person that inspired Jackie Gleason's Ralph Kramden voice. For seven minutes we watch as a cascade of long-dead people enter an unseen room as the announcer names names, cracks wise etc. The boredom of the shot becomes mesmerizing (for me anyway). At seven minutes or so in, we cut to the actual ball itself. The band is playing 'Wonder Bar' (the movie had just been released)...

HARRY ROSENTHAL, MUSICAL POPPINJAY

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Meet Harry Rosenthal. He was a silent film piano accompaniest who later became a movie-score conductor due to the fact that his first career was phased out of existence when talking films phased out silents. In 1930 he made the above Fox Movietone short film demonstrating the quite fascinating technique of adding music 'on the fly' to a movie being projected. The end of this specialty act came two years or so before this demo film was made. Synchronized music scores, however, first came about in 1926 with Warner Brothers 'Don Juan' starring John Barrymore, though that film was still mute as far as dialogue goes. Imagine the advent of a symphonic score against picture being a sufficient enough novelty to be cause for a billboard like the one pictured below? Yes, in fact, I can. The reason that I'm posting this at this particular moment is that I'm sitting in a sound mix and marveling how much a great score can elevate a movie. Many thanks to the mysterious YouT...

ADDITIONAL DIALOGUE RECORDING BY...

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Last week we recorded ADR (Additional Dialogue Recording) for my movie 'Stano'. I am no fan of this process as I can almost always tell, while watching a movie, when it's been done. Even well performed and well-mixed ADR never quite sits realistically for me and actor's performances are rarely improved by asking them to stand in a recording studio, stare at themselves on the screen and attempt to fit dialogue into their on-screen mouths in precisely the right rhythm so as to achieve 'perfect' lip sync (and somehow act at the same time).  Some actors don't mind doing it, some hate it. The only actor I've ever heard of who demands to ADR his whole performance is Al Pacino. He claims it gives him a second chance at improving his performance. I can't imagine his first pass is in need of this tune-up but who knows? Perhaps his performance actually is better, though I think it might be safer to say that its a bit different. I generally only re-record l...

'ED WOOD' AND ED WOOD...SIDE BY SIDE

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After a private screening last night of 'Ed Wood' (which is, for my money, the best film ever made about the life of an artist), my son and I spent some time on Youtube finding the original film clips and trying to compare them with the fastidious recreations. What was I thinking? There was already a perfectly accomplished split-screen version of exactly what I was taking way too much time trying to do on my own. So I posted it above. Enjoy nine or so minutes of 'Ed Wood' and...Ed Wood.   Subscribe in a reader

KORVETTES SUCKED: ANOTHER 70s COMMERCIAL UNEARTHED

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Here's another stupid Korvette's commercial (see yesterday's post for the cheapo Julie Newmar spot) which, if nothing else, provides some nice glimpses of period 1970s stereo receivers and turntables. This commercial is thirty seconds longer than the previously posted commercial and the faux-musical number contained within its structure seems to have actually been prepared, rehearsed and planned. Did they simply spend too much money on this ad and decide to cheese-out when doing the Newmar ad? Or did Julie's presence bust the budget and thus require a serious pullback on production values? I hope it was the later, for Julie's sake. And I hope they provided her with a private car to and from the set to ease the disgrace of having to do the ad at all. Though somehow I think they tried to palm off a bus pass on her...   Subscribe in a reader

JULIE NEWMAR DOES KORVETTES

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Without the long-defunct east coast department store chain Korvettes, it's safe to say we wouldn't have a  Walmarts or a Costco. E. J. Korvette (nee Kerfauf), the founder of this junky suburban bin of trash, brought a number of new ideas to the shopping world, including discounting (then illegal), subscription shopping (a la Costco) and expanding to distant suburbs instead of sticking around the business center of towns. This last innovation proved to be his greatest non-contribution to our country's culture.  Every time you find yourself driving in a somewhat isolated and undeveloped area and then suddenly see a huge, ugly windowless/charm-free building looming on the horizon off the highway, you have Korvette to thank. The business went bankrupt in 1980 after thirty-plus years. Why? I don't know. But the above commercial might offer some clue to the clueless management of the chain. They managed to hire the fiery, leggy and impossible-not-to-be-sexy Julie Newmar to ...